Alma Tadema
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8 January 1836 – 25 June 1912. Most renowned painters.

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CHARONTON, Enguerrand
The Coronation of the Virgin, detail: the Virgin jkh

ID: 06011

CHARONTON, Enguerrand The Coronation of the Virgin, detail: the Virgin jkh
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CHARONTON, Enguerrand The Coronation of the Virgin, detail: the Virgin jkh


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CHARONTON, Enguerrand

French Northern Renaissance Painter, ca.1420-1466  Related Paintings of CHARONTON, Enguerrand :. | Portrait of a Young Man with a Skull | The Lake of Lucerne,Mont Pilatus in the Distance | Romantic Landscape with Ruined Tower | Medusa | L-Agriculture et Maison Rustique |
Related Artists:
LUINI, Bernardino
Italian High Renaissance Painter, ca.1480-1532 Italian painter and draughtsman. He was one of the generation of Lombard painters active around 1500 who, influenced by Leonardo and Raphael, blended High Renaissance innovations with indigenous Milanese elements to create a Lombard Renaissance style. Luini's paintings were extremely popular with both collectors and critics from c. 1790 to the end of the 19th century. This widespread popularity, however, had unfortunate consequences: many of his frescoes were detached from their original settings, many of the panel paintings were transferred to canvas and other works were heavily restored. As a result few survive in a good state. About 700 works are attributed to Luini, but many of these attributions are over optimistic.
Antonio Carvalho de Silva Porto
(Porto, 11 November 1850 - Porto, 11 June 1893) was a Portuguese naturalist painter. Born in Porto, he studied there under João Antenio Correia and T. Furtado, then continued his studies in Paris and Rome. While in Paris he exhibited his work in the Salon and in the World´s Fair of 1878. In Paris, he studied with his friend João Marques de Oliveira, where they were pupils of Adolphe Yvon and Alexandre Cabanel. They became followers of the naturalist Barbizon School, and brought the new school of painting to Portugal, when they returned in 1879. Silva Porto become one of the most acclaimed naturalist painters of his generation, showing the heritage of Jean-Baptiste Camille Corot and Charles-François Daubigny. Secondary effects from impressionism can sometimes be found in his paintings.
Master of the View of st Gudule
active in Brussels 1470-1490






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